{"id":16986,"date":"2017-02-16T15:56:45","date_gmt":"2017-02-16T15:56:45","guid":{"rendered":"https:\/\/www.nusic.org.uk\/wordpress\/?page_id=16986"},"modified":"2019-09-05T18:24:09","modified_gmt":"2019-09-05T17:24:09","slug":"fsn2017","status":"publish","type":"page","link":"https:\/\/www.nusic.org.uk\/wordpress\/fsn2017\/","title":{"rendered":"#FSN2017"},"content":{"rendered":"<p>Information on the 2017 Future Sound of Nottingham will first be announced (as always) on the\u00a0<a href=\"https:\/\/www.nusic.org.uk\/wordpress\/category\/podcasts\/\">Nusic New Music Podcast<\/a>.<\/p>\n<p>Followed by announcements on our social media \u2013 FeelTheNusic on facebook, twitter and youtube.<\/p>\n<p><strong>The #FSN2017 Final date is May 7th.<\/strong><\/p>\n<p>#FSN2017<\/p>\n<p><strong>KEY DETAILS ANNOUNCED:<\/strong><\/p>\n<p>&#8211; 07\/05\/17 &#8211; The #FSN2017 final took place at Rock City.<\/p>\n<p>&#8211; 11am 24\/04\/17 &#8211; The <a href=\"https:\/\/www.nusic.org.uk\/wordpress\/nusic-new-music-podcast-152-208-tracklisting\/\">New Music Podcast<\/a> has announced the Music Industry Expert Panel for the final.<\/p>\n<p>&#8211; 11am 10\/04\/17 &#8211; The <a href=\"https:\/\/www.nusic.org.uk\/wordpress\/nusic-new-music-podcast-151-207-tracklisting\/\">New Music Podcast<\/a>\u00a0has announced the #FSN2017 finalists.<\/p>\n<p>&#8211; 11pm 27\/03\/17 &#8211; \u00a0Voting is LIVE<span style=\"font-weight: 400;\">. Click <a href=\"https:\/\/www.nusic.org.uk\/wordpress\/nusic-new-music-podcast-150-206-tracklisting\/\">here<\/a>. The voting link is located within the podcast post, at the top.\u00a0<\/span><span style=\"font-weight: 400;\">This year Voting is direct via our website nusic.org.uk. We are using an online poll verified by email submission that:<br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Drives people to the website, hopefully building audience and therefore resulting in more people listening to your music (we acknowledge this aspiration is undermined once artists work out the direct link to the vote and start sharing that link, we ask them not to, let them know it makes us sad and kills a New Music Fairy everytime they do it, but can\u2019t stop them \u2013 banning them from doing so is impossible to police so not an option).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Lets you see scores (helps artists know how they\u2019re doing).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Lets peeps share and publish the poll all over social media (if that functionality is working).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Requires a verified email address to vote (which means once a vote is placed a link with be sent to that email address requiring verification), this is to stop multiple voting.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 We also have some code that let\u2019s the website recognise emails, this serves a dual purpose of preventing multiple voting and helping you work out if your vote has counted.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Let\u2019s us see a list of all emails registered so will be able to see any cheating.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Allows us to keep the votes secret in the last 24 hours of voting, we do this to drive audience to the podcast (wanting to find the result) giving your music more exposure.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We ask voters if they\u2019d like to sign up to the Nusic and the LeftLion email newsletters, this is optional, any voter not wishing to do that will miss out on the joy of our newsletters in their inbox but their vote will still count.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For the record Nusic team members do vote in the public vote, before it goes live, as part of the testing of the system, their votes will be discounted. At no point in the whole of FSN do Nusic members actually vote (for real) themselves.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">You should also know that Al G from LeftLion is running this poll for us and he is a bit of an IT genius, if you cheat he will spot it. We will issue one warning if we see any suspicious emails (any more than five starts to raise eyebrows), two strikes and sadly you are out of FSN.<\/span><\/p>\n<p>&#8211; 11am 27\/03\/17 &#8211; The <a href=\"https:\/\/www.nusic.org.uk\/wordpress\/nusic-new-music-podcast-150-206-tracklisting\/\">New Music Podcast<\/a> has announced the Semi-Finalists for #FSN2017.<\/p>\n<p>&#8211; 11am 13\/03\/17 &#8211; The <a href=\"https:\/\/www.nusic.org.uk\/wordpress\/nusic-new-music-podcast-149-205-tracklisting\/\">New Music Podcast<\/a> has announced the judges for Round One.<\/p>\n<p>&#8211;\u00a011am\u00a027\/02\/17 &#8211; The\u00a0<a href=\"https:\/\/www.nusic.org.uk\/wordpress\/nusic-new-music-podcast-126-182-tracklisting\/\">New Music Podcast<\/a>\u00a0has announced entry details for Round One.<\/p>\n<p>&#8211;\u00a011am\u00a027\/02\/17 &#8211;\u00a0Round One Rules are live. They can be found at the bottom of this page.<\/p>\n<p>&#8211;\u00a011am\u00a013\/02\/17 &#8211; The\u00a0<a href=\"https:\/\/www.nusic.org.uk\/wordpress\/nusic-new-music-podcast-147-203-tracklisting\/\">New Music Podcast<\/a>\u00a0features the first news on #FSN2017, including the announcement of the FSN Final date.<\/p>\n<p>&nbsp;<\/p>\n<p>\/\/\/\/<\/p>\n<p><b>FINAL RULES \u2013 AUDIENCE VOTE, PLUS MUSIC INDUSTRY EXPERT PANEL<\/b><\/p>\n<p><b>FSN aspires to create for Notts musicians the opportunity to play in front of large audiences, on iconic stages, in front of music industry professionals that can help them. <\/b><\/p>\n<p><b>The voting process is quite complicated, there is method in the apparent madness though! Every rule is about trying to create as epic an experience as possible for the musicians taking part, hopefully the best gig of their lives, one that might even change their lives.<\/b><\/p>\n<p><b>It\u2019s a mixed voting system, between audience vote and a \u2018Music Industry Expert Panel\u2019 vote.<\/b><span style=\"font-weight: 400;\"> This is an attempt to get the best of both worlds in terms of fairness and also to create a system that helps stimulate a vibrant gig for the musicians. We appreciate there is a risk we simply end up pissing off everybody.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>HAVING THE MUSIC INDUSTRY EXPERT PANEL:<\/b><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Addresses the natural numerical advantage of bands with audience votes, and so re-balances things a bit towards the solo artists.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Makes sure raw talent, yet to build any following, is recognised.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Gives you a chance to perform in front of well connected, music industry humans, who can help your career. On the Nottingham level this panel is huge, pretty much every major player in Nottingham is represented {the one exception is Dean Jackson from the BBC, who prefers to stay neutral (as we do, so we empathise)}. This in itself is a big opportunity regardless of the result. For example in both 2013 and 2012 FSN artists have so impressed the judge representing Splendour, that they have booked them for Splendour even though they didn\u2019t win (Sam Jones in 2013, Indiana in 2012). In 2014 two of the six finalists secured management from judges, off the back of their performance. In 2015, one of the finalists secured management from a Final judge, off the back of their performance. In 2016 Lisa Hendricks played the FSN final, in 2017 she was booked for Splendour by one of the FSN judges.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Those experts are:<\/b><b><\/b><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Revealed on the New Music Podcast on 24th April 2017.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><b>Our primary brief is to curate a panel full of the Nottingham residents most able to help our finalists. We also seek to ensure demographic diversity too. Our brief is to find:<\/b><\/p>\n<p><b>\u2013 Individuals who have a significant audience<\/b><span style=\"font-weight: 400;\"> (which we define as thousands to tens of thousands) plus the freedom to give exposure to local musicians.<\/span><\/p>\n<p><b>\u2013 Individuals with significant professional music industry connections<\/b><span style=\"font-weight: 400;\">, such that could lead to high profile gigs or even management\/ label introductions.<\/span><\/p>\n<p><b>\u2013 The majority of our judges will have both.<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b>AUDIENCE VOTE:<\/b><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Helps mobilise your fans. Knowing they can make a difference encourages friends, family and fans to come down and support, in the process creating a vibey crowd and better atmosphere for all artists. That\u2019s really key, it\u2019s a better vibe for everyone.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Ensures that talent talented enough to have built a following gets recognised. It is ironic when people moan, \u2018they only won because they have more fans than us\u2019, why do they have fans? A significant following implies you\u2019re creating music that is connecting with people. Our \u2018no covers\u2019 policy ensures good looks and the ability to play someone else\u2019s three chord hit is not enough.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>AUDIENCE VOTE METHOD<\/b> <span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; \u00a0Three announced \u2018audience votes\u2019 throughout the night via a decibel-o-meter on stage taking precise Db readings of audience volume level (from the same location). The thinking:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 A decibel-o-meter on the stage encourages the crowd to come to the front and get boisterous, not awkwardly stand quietly at the back like a school disco.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Taking three \u2018audience votes\u2019 throughout the night ensures fans of all artists are encouraged to watch all artists thereby creating a better atmosphere for all.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Having three specific announced \u2018audience vote moments\u2019 means everyone will know when the vote is being taken and when to make extra noise for their fav. It also means at all other times they can get behind all artists not worrying about being seen as \u2018unfaithful\u2019! Creating a better atmosphere for all.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We will announce these audience vote moments on stage, we will then read out each artist name and precisely measure the noise from the crowd for each artist. This will be done near the start at 7pm, near the last artist and one time at random.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>The Judges will be marking you out of ten on these criteria:<\/b><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Stage Presence \u2013 swagger, presence, engagement with audience.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Raw Talent \u2013 as perceived by the individual judge.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Quality of Performance \u2013 in time, in tune, hitting notes etc<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Quality of Songs \u2013 as perceived by the individual judge.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Splendour Suitability \u2013 would you \u2018work\u2019 opening the main stage?<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Eight experts scoring you out of 50, the top score and bottom score will be removed, the remaining six will form a score out of 300.<\/b><span style=\"font-weight: 400;\"> We remove the top and bottom score to help ensure independence and fairness. We want our judging process to be impartial and independent. Striving for that over time we have realised it&#8217;s IMPOSSIBLE to put together a panel of individuals with knowledge of the Nottingham Music scene who do not have connections with musicians in that scene, everyone has their favourites. By excluding the top vote you make sure any \u2018freak\u2019 50 out of 50 given to the act who features one of the panel\u2019s neighbour\u2019s sons girlfriends does not bias the result. By excluding the bottom vote you make sure any \u2018freak\u2019 0 out of 50 given to the act who features the bully of one the panels kids at school does not bias the result.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Each of the three \u2018audience votes\u2019 will be out of 50, scores will be allocated like this:<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Highest Db \u2013 50<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2nd \u2013 45<\/span><\/p>\n<p><span style=\"font-weight: 400;\">3rd \u2013 40<\/span><\/p>\n<p><span style=\"font-weight: 400;\">4th \u2013 35<\/span><\/p>\n<p><span style=\"font-weight: 400;\">5th \u2013 30<\/span><\/p>\n<p><span style=\"font-weight: 400;\">6th \u2013 25<\/span><\/p>\n<p><b>After three votes we will have a second score out of 150 giving each artist an overall score out of 450. Needless to say the highest score out of 450 wins that main stage slot at Splendour.<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Complicated yes, but all aimed at creating the best possible atmosphere for all, as well as seeking a winning artist talented enough to win the love of the \u2018experts\u2019 and the people.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Should there be a tie, the artist with the highest overall \u2018Splendour Suitability\u2019 score from the panel, becomes the FSN Champ. Should scores still be tied, the Splendour representative on the music industry experts panel, will cast the deciding vote.<\/span><\/p>\n<p><b>FINALLY\u2026 Performance rules:<\/b><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Be nice.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Sets must be no longer than 15 minutes.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Sets may comprise no more than 3 songs.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 No covers. We roll with the Wikipedia definition: \u201c<\/span><i><span style=\"font-weight: 400;\">a new performance or recording of a previously recorded, commercially released song by someone other than the original artist or composer<\/span><\/i><span style=\"font-weight: 400;\">.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; \u00a0You can swear if you wanna, but it probably ain\u2019t gonna help your \u2018Splendour Suitability\u2019 score. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Samples must not be so long they sound like covers, our broad rule of thumb is that a sample longer than four bars starts to raise eyebrows, longer than eight bars and we may well feel unable to allow it. Obviously the sample can be looped ad infinitum. Official HipHop term that.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If in doubt Chair of Judges Jackie P and Nusic Founder Mark Del will make final judgement call, where clarity is lacking due to no precise rule currently relating to the precise matter arising, decision will be made in the context of this question, \u201cdoes this align with the spirit of FSN?\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For context a reminder of that spirit &#8211; <\/span><b>to create for Notts musicians the opportunity to play in front of large audiences, on iconic stages, in front of music industry professionals that can help them. <\/b><\/p>\n<p><b>Oh.<\/b><\/p>\n<p><b>And be nice.<\/b><\/p>\n<p><b>PRE FINAL PROMOTION<\/b><\/p>\n<p><span style=\"font-weight: 400;\">We try hard to secure as many unique promo opportunities as possible for the finalists, in fact it\u2019s one of the big \u2018music helping\u2019 features of FSN \u2013 musicians get a big boost in profile from all the promo that comes with making the final. We treat all artists equally and offer all opportunities to all artists, whether they take up those opportunities or not is obvs up to them. In other words any significant differences you observe in artist promo levels will be down to the artists\u2019 level of proactivity and\/ or their strategy, some artists don\u2019t like doing promo, they don\u2019t feel it\u2019s part of their brand. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The other \u2018extenuating circumstance\u2019 is musicians from parts of Notts that have their own ultra local media outlets, places like Mansfield that have their own paper and radio station. Artists from those areas may secure extra promo from their \u2018home support\u2019, student musicians may secure support from student media etc.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>SEMI FINAL (ROUND TWO) RULES \u2013 THE PUBLIC VOTE<\/b><\/p>\n<p><b>In contrast to Round One which was a music industry experts panel, the Semi-Finals are a public vote. <\/b><span style=\"font-weight: 400;\">We deliberately mix things up, an expert vote ensures new talent (that\u2019s really good) yet to build a fanbase gets a chance (as well as solo artists who often miss out in public votes simply due to there being less of them in the \u2018musical entity\u2019), a public vote ensures local musicians who have been good enough to build a fanbase get to acknowledge that, additionally the public vote is accompanied by a dedicated version of the <\/span><a href=\"https:\/\/www.nusic.org.uk\/wordpress\/category\/podcasts\/\"><b>NEW MUSIC PODCAST <\/b><\/a><span style=\"font-weight: 400;\">offering the public an easy way to hear all the Semi-Finalists. <\/span><\/p>\n<p><b>The public vote is open from 11pm Monday 27th March 2017 through to 11.59pm Wednesday 5th April 2017.<\/b><span style=\"font-weight: 400;\"> It will be an \u2018open\u2019 vote (in that you can see who is winning) until 11.59pm Tuesday 4th April 2017. At this point we intend to (technology allowing) make the vote private, this will drive audience to the <\/span><a href=\"https:\/\/www.nusic.org.uk\/wordpress\/category\/podcasts\/\"><b>NEW MUSIC PODCAST<\/b><\/a><span style=\"font-weight: 400;\"> (giving more exposure, to more musicians) where we will announce the results exclusively, from 11am on Monday 10th April 2017.<\/span><\/p>\n<p><b>Re our musical inclusivity rules:<\/b><\/p>\n<p><b>\u2013 Solo artists.<\/b><span style=\"font-weight: 400;\"> At least two solo artists must make the final six. This would normally mean if four bands (definition = non session musician featuring musical combos of two or more) take the top four places in the public vote then the 3rd and 4th place bands will be replaced by the highest placed solo artists.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Indi Rule means two artists are already in the final, and this year they both happen to be solo artists (as defined below). Therefore the fourteen artists in the Semi-Final vote will be competing for four places, with no \u2018solo artist rule\u2019 in play.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Our definition of a band (above) does allow for solo artists who are not playing solo. An act with more than one person playing on stage that is named after the lead singer (who writes their songs without contribution from any session musicians they play with), and in which the other musicians are effectively session musicians (and so are significantly less motivated to put the effort in to secure a Final place), is deemed a solo act. We\u2019ll be direct with you, this is probably the trickiest grey area to address in the whole of FSN. Over the years we have found this definition to be the best compromise, we know it\u2019s not perfect.<\/span><\/p>\n<p><b>\u2013 Musical Diversity. <\/b><span style=\"font-weight: 400;\">Our enhanced musical diversity rules (which you can read about in full in the Round One rules) have proved effective in the best way possible, they have encouraged a doubling in entries from the targeted genres. One of those made it straight through to the final (<\/span><b>HASHTAGOBI<\/b><span style=\"font-weight: 400;\">), an additional four artists from the targeted genres made it into the Round Two Public Vote, again of their own right, with no need for the musical diversity rule.<\/span><\/p>\n<p><b>Re our \u2018new talent gets the opportunity\u2019 rules:<\/b><\/p>\n<p><b>\u2013 Previous FSN Finalists \u2013<\/b><span style=\"font-weight: 400;\"> One previous FSN finalist has made it through to the semi-final (<\/span><b>LISA HENDRICK AND THE PROJECT-US BAND<\/b><span style=\"font-weight: 400;\">).<\/span><\/p>\n<p><b>\u2013 Artist who have already played Splendour \u2013<\/b><span style=\"font-weight: 400;\"> None of the artists in the Semi Finals have played Splendour before.<\/span><\/p>\n<p><b><br \/>\nBREAKING NEWS<\/b><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 The awkward last place tie has returned, with three artists hanging on in there. This means there are fourteen artists in the Semi Finals, with four places up for grabs to join the two artists already in the Final at Rock City on June 19th.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Transparency declarations: No member of any of the Semi Finalists are current intern members of the #NusicVolunteers team. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>ROUND ONE MAIN RULES and JUDGING PROCESS:<\/b><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Pick your strongest, most appropriate, original track (no covers) and email it to us, one track only, along with confirmation of your \u2018Nottingham-ness\u2019 and that you are available to play on May 7th (Rock City Final) &amp; July 22nd (Splendour).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 For full rules PLUS definition of NottinghamNESS look below at the rules. As Nusic is all about raw talent, we accept YouTube and SoundCloud links if you do not have studio recordings yet. But if you do have studio recordings, send us those.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u2013 Email that MP3 or YouTube link with SUBJECT TITLE \u201cFSN ENTRY\u201d, confirmation of availability, your NotinghamNESS plus contact details, to the email address <\/span><a href=\"mailto:nusic@leftlion.co.uk\"><span style=\"font-weight: 400;\">nusic@leftlion.co.uk<\/span><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Do the above before 11.59pm on <strong>Monday 20th March 2016.<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">This <\/span><strong><a href=\"https:\/\/www.nusic.org.uk\/wordpress\/2017-future-sound-of-nottingham-entries\/\">LINK<\/a><\/strong><span style=\"font-weight: 400;\">\u00a0guides you to the page where we will confirm if you have successfully entered FSN.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For some FSN tips, check out this advice video at our youtube channel FeelTheNusic, click\u00a0<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=O9ewQUeiERU\"><span style=\"font-weight: 400;\">here<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>ROUND ONE RULES<\/b><\/p>\n<p><b>YOU MUST BE FROM NOTTS &#8211; <\/b><span style=\"font-weight: 400;\">\u00a0See FAQ19 to see what qualifies as Notts\u00a0<\/span>in our #NusicFAQs: nusic.org.uk\/faq<\/p>\n<p><b>ALL INCLUSIVE <\/b><span style=\"font-weight: 400;\">\u2013 To encourage all musical genres and musical combinations to seize this opportunity, we have a number of rules that aspire to encourage a diversity of participants in FSN that reflects both the incredible musical diversity across Nottinghamshire as well as our own founding principle about supporting all genres. FSN is not just about bands, as awesome as the bands of Notts are. So:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">We have a rule to ensure solo artists are not disadvantaged.<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">We have a rule to make FSN accessible to electronic artists, rappers and MCs (in other words, musicians who often perform purely with pre-recorded backing).<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">We have two rules to ensure artists performing Hip-Hop, Grime, Soul, Reggae, World, (any form of) Electronic Music plus any genre related to these six musical families, from whom we classically have less entries (proportionally), are encouraged to seize this opportunity.<\/span><\/li>\n<\/ul>\n<p><b>Details on these rules below.<\/b><\/p>\n<p><b>SOLO ARTISTS<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">There is no potential disadvantage for a solo artist in Round One, the rule to ensure solo artists are not disadvantaged in FSN, kicks in at the Semi Final (Round Two) stage. This will be clarified when the Semi-Final (Round Two) rules are announced, and will take a similar form as the last two years.<\/span><\/li>\n<\/ul>\n<p><b>ACCESSIBILITY<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">The minimum requirement for playing live is a live vocal, singing over a backing cd, Ableton etc.<\/span><\/li>\n<\/ul>\n<p><b>MUSICAL DIVERSITY<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">At least two of the twelve Semi-Finalists will be artists who perform Hip-Hop, Grime, Soul, Reggae, World, (any form of) Electronic Music plus any genre related to these six musical families. This (we acknowledge subjective) judgement call on which artists qualify will be made by Jackie P from Kemet FM and Mark Del. Their frame of reference is\u00a0&#8216;Would this song be played on Kemet FM and\/or BBC 1Xtra?&#8217;. This rule is not perfect, but it comes from a good place, aspiring to make sure FSN is open to all genres.<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Strictly speaking this is a Semi Final (Round Two) rule but we thought you should know upfront\u2026 At least one of the six Finalists will be an artist who performs Hip-Hop, Grime, Soul, Reggae, World, (any form of) Electronic Music plus any genre related to these six musical families. This (we acknowledge subjective) judgement call on which artists qualify will be made by Judging Chairwoman Jackie P from Kemet FM and Nusic Founder Mark Del. This rule is not perfect, but it comes from a good place, to make sure the FSN Final embraces all genres.<\/span><\/li>\n<\/ul>\n<p><b>RAW TALENT <\/b><span style=\"font-weight: 400;\">\u2013 We have three rules to ensure raw talent is recognised, to ensure that FSN recognises stand out raw talent and to ensure that FSN does not end up featuring purely artists who have already had the opportunity of playing either Splendour or the FSN Final.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Details on these rules below.<\/span><\/p>\n<p><b>ENSURING NEW TALENT GETS THE OPPORTUNITY:<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">No more than six artists who have already played Splendour (in previous years) can make it through to the Semi-Finals. This means that should the judges (who vote \u2018blind\u2019) vote through seven acts who it turns out have played Splendour before, the seventh act would not make it through.<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">No more than two artists who have already played the Rock City FSN Final can make it through to the Finals.<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Across the three rounds of FSN we try and mix democracy (public votes) with expertise\u00a0(Judge votes), we feel this has worked quite well since 2009, for example the FSN2012 winners THE AFTERDARK MOVEMENT were in the top two in all three rounds. But we are always trying to make it better. In 2012 we also had an extreme case, an incredible raw talent who\u2019d never done a single gig in their life entered FSN and rightly (as shown by their subsequent success) won Round One (the Judge vote) by a mile, the largest points victory ever in fact. Despite their clear stand out talent they did not get through Round Two, they were so new they had no following yet and not enough neutral voters took part to see them through. <\/span><b>As Nusic is all about uncovering new talent we were frustrated that FSN was not able to \u2018cope\u2019 <\/b><span style=\"font-weight: 400;\">with such an extreme scenario (by extreme we mean so good whilst simultaneously so unknown, thereby winning Round One but totally out of it in Round Two), so we brought in a new rule in 2013, which we extended in 2014.<\/span><b> The top two in the Round One expert vote will get automatic byes through to the Final.<\/b><\/li>\n<\/ul>\n<p><b>WHO CANNOT ENTER?<\/b><span style=\"font-weight: 400;\"> \u2013<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><b>Group One<\/b><span style=\"font-weight: 400;\"> -Those who have won \/ headlined any previous NUSIC or NOTTS UNSIGNED \u2018musician helping events\u2019. <\/span><span style=\"font-weight: 400;\">For the avoidance of doubt this means SUPER FURNITURE, SUSPECT ALIBI, JOY MUMFORD, THE GORGEOUS CHANS, THE AFTERDARK MOVEMENT, KAPPA GAMMA, KAGOULE, THE MONEY, LONG DEAD SIGNAL, DOG IS DEAD, FRONTIERS and THE TURF. <\/span><span style=\"font-weight: 400;\">Previous runners-up and Finalists CAN enter.<\/span><\/li>\n<li style=\"font-weight: 400;\"><b>Group Two <\/b><span style=\"font-weight: 400;\">\u2013 Any Nottingham artist already announced on the bill for THIS year\u2019s Splendour.<\/span><\/li>\n<li style=\"font-weight: 400;\"><b>Group Three<\/b><span style=\"font-weight: 400;\"> \u2013 Musicians who are unable to perform at least three original tracks live. <\/span><b>To clarify the minimum requirement for playing live is a live vocal<\/b><span style=\"font-weight: 400;\">, singing over a backing cd, Ableton etc.<\/span><\/li>\n<li style=\"font-weight: 400;\"><b>Group Four<\/b><span style=\"font-weight: 400;\"> \u2013 Artists who only play covers, no covers are allowed to be entered or performed, FSN (and Nusic generally) is all about encouraging original song writing.<\/span><\/li>\n<\/ul>\n<p><b>Grey Area\/s<\/b><span style=\"font-weight: 400;\"> \u2013 What if you are a new act that includes members who used to be in one of the artists listed in \u2018Group One\u2019? This is where it gets reeaaalllll complicated. It wouldn\u2019t be fair to have pretty much the same artist get to play that main stage again would it? But also it wouldn\u2019t be fair for a band of six to be excluded because one of them played triangle as a session musician back in 2011 for THE MONEY. So. If your new act contains the same humans as before, you cannot enter. If your new act has two or more members of an act listed in \u2018Group One\u2019 it must be at least four years since your old act got through. If you are the only member of a \u2018Group One\u2019 act, in your new act, and there are at least three of you in total, you may enter now. Unless you are the lead singer \/ front person, in which case again it must be four years since your \u2018Group One\u2019 act made it. Sorry singers, but you are the key distinguisher of any act. Sometimes there are downsides to being the star, but hey, you get all the groupies.<\/span><\/p>\n<p><b>JUDGES<\/b><span style=\"font-weight: 400;\"> \u2013 Will be announced <\/span><span style=\"font-weight: 400;\">Monday 13th March <\/span><span style=\"font-weight: 400;\">via the New Music Podcast. As always we will put together a panel of the most \u2018able-to-help\u2019 industry peeps we can find in Nottingham, this means whether or not you \u2018win\u2019 you get your music heard by people who can help you. <\/span><span style=\"font-weight: 400;\">Our main concern with the panel is filling it with people who can help you.<\/span><\/p>\n<p><b>JUDGING PROCESS<\/b><span style=\"font-weight: 400;\"> \u2013 Each judge will twice mark each act out of ten, after listening to one track from each artist <\/span><b>without knowing<\/b><span style=\"font-weight: 400;\"> who the artist is. The first mark will be for \u2018raw talent\u2019 as perceived by that individual judge. The second mark will be for <\/span><span style=\"font-weight: 400;\">\u2018Splendour main stage suitability\u2019 a<\/span><span style=\"font-weight: 400;\">s perceived by that individual judge. Scores from the judge giving the highest score will be excluded (explained below), as of 2015 the lowest score is also excluded. The other <\/span><span style=\"font-weight: 400;\">three<\/span><span style=\"font-weight: 400;\"> Judges (as there will now be<\/span><span style=\"font-weight: 400;\"> five i<\/span><span style=\"font-weight: 400;\">n total) will have their scores all added together giving each act a Final mark out of 60. The top two (subject to the criteria outlined above and below) acts will go straight through to the FSN Final at Rock City (see raw talent rules above), the next ten acts go through to Semi-Finals (Public Vote). The 11th and 12th acts in the Semi-Final Public Vote will be the NOISE GEN and BANDEMONIUM champs (events we collaborate with to support young musicians in their first year or two of playing live).<\/span><\/p>\n<p><b>WHO ARE THE JUDGES? <\/b><span style=\"font-weight: 400;\">\u2013 Listen to the <\/span><span style=\"font-weight: 400;\">New Music Podcast<\/span><span style=\"font-weight: 400;\"> on 13th March to find out.<\/span><\/p>\n<p><b>Our brief is to curate a judging panel full of the Nottingham residents most able to help the musicians entering FSN<\/b><span style=\"font-weight: 400;\">, \u2018ability to help\u2019 is the defining factor in our judge selections. We define that as:<\/span><\/p>\n<p><b>\u2013 Individuals who have a significant audience<\/b><span style=\"font-weight: 400;\"> (which we define as thousands to tens of thousands) plus the freedom to give exposure to local musicians.<\/span><\/p>\n<p><b>\u2013 Individuals with significant professional music industry connections<\/b><span style=\"font-weight: 400;\">, such that could lead to high profile gigs or even management\/ label introductions.<\/span><\/p>\n<p><b>\u2013 The majority of our judges will have both.<\/b><\/p>\n<p><b>WHY DO YOU EXCLUDE THE HIGHEST SCORE? <\/b><span style=\"font-weight: 400;\">\u2013 It\u2019s about ensuring independence and fairness. We want our judging process to be impartial and independent, striving for that over time we have realised its intrinsically impossible to put together a judging panel of individuals with knowledge of the Nottingham Music scene who do not have connections with musicians in that scene, everyone has their favourites. By excluding the top vote you make sure any \u2018freak\u2019 10 out of 10 given to the act who features one of the judge\u2019s \u2018neighbour\u2019s son\u2019s best friend\u2019s girlfriend\u2019 does not bias the result. This score will only be used if there is a tie.<\/span><\/p>\n<p><b>WHY DO YOU EXCLUDE THE LOWEST SCORE? <\/b><span style=\"font-weight: 400;\">\u2013 This was a new idea in 2015, and it worked well, it is about our continued efforts to ensure independence and fairness. We want our judging process to be impartial and independent, striving for that over time we have realised its intrinsically impossible to put together a judging panel of individuals with knowledge of the Nottingham Music scene who do not have connections with musicians in that scene, everyone has their favourites AND their biases. By excluding the bottom vote as well as the top vote you make sure any \u2018freak\u2019 0 out of 10 scores given to an act who features the kid from school who used to bully the judge\u2019s son, that makes music in a genre that a particular judge absolutely hates etc does not bias the result. Since 2015, we have had a fifth judge\u00a0to ensure we have three \u2018valid\u2019 votes for each artist. There is also impact simply by virtue of having this rule re lowest score and the rule re highest score, as judges now know there is no point giving a ridiculously low or high score, hopefully the mere existence of the rule makes judges score more fairly and accurately.<\/span><\/p>\n<p><b>I\u2019M CONFUSED NOW! CAN YOU SUM THAT UP BRIEFLY PLS? <\/b><span style=\"font-weight: 400;\">\u2013 Well as you asked so nicely. Five judges. Top judge score excluded to prevent bias. Bottom judge score excluded to prevent bias. Remaining three judge scores make the traditional Round One score out of sixty.<\/span><\/p>\n<p><b>CAN PEOPLE WHO WORK WITH\/ FOR YOU ENTER? <\/b><span style=\"font-weight: 400;\">\u2013 After some thought on this one, yes, ish. We have a large number of volunteers from the Nottinghamshire scene who help and support us in helping you, many are musicians themselves. Not letting them enter would effectively \u2018punish\u2019 them for helping out. We will declare any potential internal conflicts of interest so that things are transparent. It\u2019s worth remembering that none of the Nusic team vote. Any current member of the Nusic team who enters FSN will be asked to take time out from Nusic for the duration of their time in FSN.<\/span><\/p>\n<p><b>2017 FSN Transparency Declarations (This will be updated weekly) = <\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">No artists have yet entered this year, that are related, living with or in love with current members of the Nusic Team.<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Any Nusic volunteers linked to FSN entries will be \u2018firewalled\u2019 from the judging process.<\/span><\/li>\n<li style=\"font-weight: 400;\"><span style=\"font-weight: 400;\">Any Nusic volunteer entering FSN will be asked to stand down from Nusic for the duration of FSN.<\/span><\/li>\n<\/ul>\n<p><b>CAN PEOPLE WHO KNOW THE JUDGES ENTER? <\/b><span style=\"font-weight: 400;\">\u2013 Yes, and that\u2019s why we exclude the top vote to prevent any bias (see above).<\/span><\/p>\n<p><b>OK HOW DO YOU ENSURE NO BIAS?<\/b><span style=\"font-weight: 400;\"> \u2013 By trying our best. Three specific points to the answer. None of us (those of us working on Nusic on a day to day basis) will be judges, in fact all our judges are music and\/ or media professionals connected to Nottingham, who work elsewhere. Secondly, any acts who have specific links with us and make it through to the Semi-Finals (Round Two) we will declare so everything is transparent. Thirdly our cunning judging mechanics explained above.<\/span><\/p>\n<p><b>CLARIFY YOUR DEFINTION\/S OF \u2018NOTTINGHAMNESS\u2019 PLEASE?<\/b><span style=\"font-weight: 400;\"> \u2013 Check FAQ19 in our #NusicFAQs: nusic.org.uk\/faq<\/span><\/p>\n<p><b>WHAT\u2019s THE INDI RULE? <\/b><span style=\"font-weight: 400;\">\u2013 Across the three rounds of FSN we try and mix democracy (public votes) with expertise (Judge votes), we feel this has worked quite well since 2009, for example the FSN2012 champs\u00a0THE AFTERDARK MOVEMENT were in the top two in all three rounds. But we are always trying to make it better. In 2012 we also had an extreme case, an incredible raw talent who\u2019d never done a single gig in their life entered the competition and rightly (as shown by their subsequent success) won Round One (the Judge vote) by a mile, the largest points victory ever in fact. Despite their clear stand out talent they did not get through round two, they were so new they had no following yet and not enough neutral voters took part to see them through. <\/span><b>As Nusic is all about uncovering new talent we were frustrated that FSN was not able to \u2018cope\u2019 <\/b><span style=\"font-weight: 400;\">with such an extreme scenario (by extreme we mean so good whilst simultaneously so unknown, thereby winning round one but totally out of it in round two), <\/span><b>so we now have this rule. The top two in the Round One expert vote will get automatic byes through to the Final.<\/b><\/p>\n<p><b>The \u2018Semi-Final twelve\u2019 will be announced on Mon 27th March\u00a0via the <\/b><a href=\"https:\/\/www.nusic.org.uk\/wordpress\/category\/podcasts\/\"><b>New Music Podcast<\/b><\/a><b>.<\/b><span style=\"font-weight: 400;\"> The judges decision is Final, by entering #FSN2017 you agree to accept this and all the above.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We will not publish the specific scores for all artists for two reasons:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">1) We want the judges to be able to score honestly and not worry about getting grief when musicians see the scores they gave them.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2) We don\u2019t want to discourage people, if you see you came last with 3 points out of 60 that\u2019s not very encouraging, and we\u2019re all about encouraging.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">That\u2019s it, keep listening to the New Music Podcast for the latest!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Have we mentioned you need to listen to the New Music Podcast?<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Information on the 2017 Future Sound of Nottingham will first be announced (as always) on the\u00a0Nusic New Music Podcast. Followed by announcements on our social media \u2013 FeelTheNusic on facebook, twitter and youtube. The #FSN2017 Final date is May 7th. #FSN2017 KEY DETAILS ANNOUNCED: &#8211; 07\/05\/17 &#8211; The #FSN2017 final took place at Rock City&#8230;.<\/p>\n<p><a rel=\"bookmark\" class=\"theme-button-text wvc-button wvc-button-size-xs\" href=\"https:\/\/www.nusic.org.uk\/wordpress\/fsn2017\/\"><small class=\"wvc-button-background-fill\"><\/small><span>Continue reading<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":{"0":"post-16986","1":"page","2":"type-page","3":"status-publish","4":"hentry","5":"entry","6":"clearfix","7":"entry-grid","8":"entry-columns-default","9":"entry-page-module-layout-standard","10":"is-youtube","11":"no-post-thumbnail","12":"entry-page","14":"entry-page-grid"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/pages\/16986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/comments?post=16986"}],"version-history":[{"count":28,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/pages\/16986\/revisions"}],"predecessor-version":[{"id":17628,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/pages\/16986\/revisions\/17628"}],"wp:attachment":[{"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/media?parent=16986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}