{"id":22593,"date":"2025-02-04T11:53:55","date_gmt":"2025-02-04T11:53:55","guid":{"rendered":"https:\/\/www.nusic.org.uk\/wordpress\/?page_id=22593"},"modified":"2025-02-04T11:53:55","modified_gmt":"2025-02-04T11:53:55","slug":"fsn-24","status":"publish","type":"page","link":"https:\/\/www.nusic.org.uk\/wordpress\/fsn-24\/","title":{"rendered":"FSN 24"},"content":{"rendered":"<p>[vc_row][vc_column][wvc_typed font_weight=&#8221;700&#8243; speed=&#8221;100&#8243; text=&#8221;YOUR FSN 2024 CHAMP IS&#8230;&#8221;][vc_single_image image=&#8221;22554&#8243; img_size=&#8221;full&#8221; full_width=&#8221;1&#8243; opacity=&#8221;100&#8243;][vc_column_text]Our six Industry Professionals listened to all seven Future Sound of Nottingham 2024 finalists.<\/p>\n<p>Scoring them each on the mentioned key factors below.<\/p>\n<p>And coming out top, as the Champ of FSN 2024 was&#8230;<\/p>\n<p>KAP!<\/p>\n<p>KAP will open the Rock City main stage at Dot to Dot Festival on Sunday 26th May 2024.<\/p>\n<p>Big ups KAP. Big ups all the Finalists. Big ups our Industry Pros.<\/p>\n<p>And big up DHP \/ Dot to Dot \/ Rock City for helping make this happen.<\/p>\n<p>x[\/vc_column_text][vc_custom_heading text=&#8221;YOUR SEVEN FSN 2024 FINALISTS ARE.&#8221; font_size=&#8221;60&#8243;][vc_column_text]<\/p>\n<ul>\n<li>Arlo Kit<\/li>\n<li>Kelsey and the Embers<\/li>\n<li>Georgian<\/li>\n<li>Noemi Jazzmine<\/li>\n<li>KAP<\/li>\n<li>Fox Evades<\/li>\n<li>Wilf Spiv<\/li>\n<\/ul>\n<p class=\"p1\">All seven Fimalists will be listened to by a bunch of National and Local music Industry Professionals who will score all artists on a variety of factors to decide which one artists will open the Rock City Main Stage at Dot to Dot Festival in May.<\/p>\n<p><strong>WHY DO AN INDUSTRY PROFESSIONALS PANEL?<\/strong><\/p>\n<p>Well, we try our best to keep things fair! Putting the seven finalists in front of well connected, Industry Professionals, whom they will all receive constructive feedback from means that regardless of who becomes the champ, they all both have the chance to learn what different significant music humans think of their music + potentially it might start a butterfly effect just as exciting as becoming Champ.<\/p>\n<p>Several previous FSN Finalists have secured management, been booked for Splendour independently, as well as received key gig support slots. And that&#8217;s when we&#8217;ve had a mostly local panel &#8211; this year &#8211; thanks to the &#8216;online-only&#8217; D2D special edition model, we have secured multiple huge National names who also listen in depth to all the Finalists.<\/p>\n<p><strong>WHO ARE THE NATIONAL INDUSTRY PROFESSIONALS?<\/strong><\/p>\n<ul>\n<li>Jess Iszatt &#8211; Host of BBC Introducing on BBC Radio 1<\/li>\n<li>Jasmine Takhar &#8211; Host of BBC Introducing on BBC Asian Network<\/li>\n<li>Jodie Bryant &#8211; Host of Discover Live<\/li>\n<\/ul>\n<p><strong>WHO ARE THE LOCAL INDUSTRY PROFESSIONALS?<\/strong><\/p>\n<ul>\n<li>Anton Lockwood &#8211; DHP Family \/ Dot to Dot Festival<\/li>\n<li>Craig Chettle \u2013 Confetti \/ Notts TV<\/li>\n<li>Jackie P \u2013 Kemet FM<\/li>\n<\/ul>\n<p><strong>WHAT ARE THE FINALISTS SCORED ON?<\/strong><\/p>\n<ul>\n<li>Quality of the song, specifically from a song-writing perspective, as their ears perceive it. Is the attention of their ears being caught by the melody, the bass and or the clever lyric? Is their foot tapping, their bum wiggling, is their heart being moved by the story of the song?<\/li>\n<li>Quality of the performance \/ recording, as thrit ears perceive it, from an imaging the song performed live perspective.<\/li>\n<li>Suitability to play Dot to Dot, one of the UK&#8217;s leading New Music Festivals, as their ears perceive it.<\/li>\n<\/ul>\n<p><strong>WHAT ABOUT IF THERE&#8217;S A TIE?<\/strong><\/p>\n<p>If in doubt Chair of Judges Jackie P and Nusic Founder Mark Del will make final judgement call, where clarity is lacking due to no precise rule currently relating to the precise matter arising, decision will be made in the context of this question, \u201cdoes this align with the spirit of FSN?\u201d<\/p>\n<p>x[\/vc_column_text][wvc_bigtext text=&#8221;WANT TO PLAY THE ROCK CITY MAIN STAGE? AT DOT TO DOT? LISTEN UP.&#8221; font_family=&#8221;&#8221;][vc_custom_heading text=&#8221;The Future Sound of Nottingham 2024 is now CLOSED for Entries.&#8221; font_size=&#8221;60&#8243;][vc_column_text]<span style=\"font-size: 24pt;\"><b>ONLY GOT 2 MINS? WE GET IT. HERE ARE THE HEADLINES ON HOW TO ENTER. &#x231a;&#xfe0f;<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; Pick your strongest, most appropriate, original track. &#x1f525;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; Email it to us at hello@nusic.org.uk w the subject line \u2018FSN 24 ENTRY\u2019. &#x1f4e7;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; You MUST confirm your \u2018Nottingham-ness\u2019. &#x1f196;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; You MUST confirm that you are available to play live on Sunday 26th May (Dot to Dot).<\/span><span style=\"font-weight: 400;\">\u00a0&#x1f3a4;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As Nusic is all about raw talent, we accept phone \/ DIY recordings if you do not have studio recordings yet. But if you do have a studio recording, send us those.<br \/>\n<\/span><\/p>\n<p><b>&#x23f0; You MUST enter by 1159pm Monday 1st April. &#x23f0;<\/b><\/p>\n<p><a href=\"https:\/\/www.nusic.org.uk\/wordpress\/future-sound-of-nottingham-fsn-2024-entries\/\"><em><span style=\"font-size: 14pt;\"><strong>ALL successfully received entries are listed here (updated every 24 hours).<\/strong><\/span><\/em><\/a>[\/vc_column_text][vc_column_text]<span style=\"font-size: 24pt;\"><b>ONLY GOT 2 MINS? WE GET IT. HERE ARE THE HEADLINES ON HOW TO ENTER. &#x231a;&#xfe0f;<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; Pick your strongest, most appropriate, original track. &#x1f525;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; Email it to us at hello@nusic.org.uk w the subject line \u2018FSN 24 ENTRY\u2019. &#x1f4e7;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; You MUST confirm your \u2018Nottingham-ness\u2019. &#x1f196;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8211; You MUST confirm that you are available to play live on Sunday 26th May (Dot to Dot).<\/span><span style=\"font-weight: 400;\">\u00a0&#x1f3a4;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As Nusic is all about raw talent, we accept phone \/ DIY recordings if you do not have studio recordings yet. But if you do have a studio recording, send us those.<br \/>\n<\/span><\/p>\n<p><b>&#x23f0; You MUST enter by 1159pm Monday 1st April. &#x23f0;<\/b><\/p>\n<p><em><span style=\"font-size: 14pt;\"><strong>ALL successfully received entries are listed here (updated every 24 hours).<\/strong><\/span><\/em>[\/vc_column_text][vc_single_image image=&#8221;22530&#8243; img_size=&#8221;full&#8221; full_width=&#8221;1&#8243; opacity=&#8221;100&#8243;][vc_column_text]<span style=\"font-size: 18pt;\"><b>WANT TO KNOW MORE? HERE WE GOOOO\u2026 &#x1f973;<\/b><\/span><\/p>\n<p><b>WTF ARE YOU GUYS DOING THIS YEAR? &#8211; <\/b><span style=\"font-weight: 400;\">Great question you wise human being you. Obvs we were totally gutted when the news broke that Splendour was sadly not happening this year &#8211; and we did have to sit down and question whether it was worth the time and energy from our (mostly) volunteers to try and make FSN happen without the usual inspiring juicy carrot of a Splendour main stage slot. After weeks of deliberating, idea pondering, and chatting w the ridiculously supportive DHP fam, we together came up with a plan B.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Hopefully you agree, at the start of your career, the chance to have your music listened to by a bunch of Industry Professionals who can help you (if their ears like you!) is a great opportunity that can (as it has in previous FSNs) lead to butterfly effects left, right and splendour. Plus, DHP very kindly agreed to give the FSN 2024 Champ the opening slot on the main stage of Dot to Dot Festival &#8211; in Rock City main hall. So we\u2019ve swapped Nottigham\u2019s biggest festival for Nottingham\u2019s coolest festival.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Obvs, it would be a bit weird to have a final in the same room that the prize is in (plus we have two less months run up) so we\u2019ve decided to run the whole \u2018FSN process\u2019 online this year. The one brucey bonus that gives us, is we are trying our best to get some big National names in to be Industry Professionals this year, meaning that whilst \u2018only\u2019 one artist gets to play Rock City, all six<\/span> <span style=\"font-weight: 400;\">finalists will get their music listened to AND get written up feedback, from a bunch of local AND National music industry professionals.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">By entering FSN 2024, you agree that should you make it to that online Final, you are open and accepting of positive, and constructive feedback.<\/span>[\/vc_column_text][vc_column_text]<span style=\"font-size: 18pt;\"><b>SO WTF ARE THE RULES NUSIC? &#x1f914;<\/b><\/span><\/p>\n<p><b>Glad you asked\u2026<\/b><\/p>\n<p><b>YOU MUST BE FROM OR LIVING IN THE GREATER NOTTINGHAM URBAN AREA &#8211; <\/b><span style=\"font-weight: 400;\">Get your Google on if you don&#8217;t know what that is.<\/span><\/p>\n<p><b>ALL-INCLUSIVE <\/b><span style=\"font-weight: 400;\">\u2013 To encourage all musical genres and musical combinations to seize this opportunity, we have a few rules that aspire to encourage a diversity of participants in FSN that reflects both the incredible musical diversity across Nottinghamshire as well as our own founding principle about supporting all genres. FSN is not just about bands, as awesome as the bands of Notts are. So:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">We have a rule to make FSN accessible to electronic artists, rappers<\/span> <span style=\"font-weight: 400;\">(in other words, musicians who often perform purely with pre-recorded backing).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">We have a rule to ensure artists performing Hip-Hop, Grime, Soul, Reggae, World, (any form of) Electronic Music plus any genre related to these six musical families, from whom we classically have less entries (proportionally), are encouraged to seize this opportunity.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Details on these rules below.<\/span><\/p>\n<p><b>MUSICAL DIVERSITY<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">At least one of the Six Finalists will be an artist who performs Hip-Hop, Grime, Soul, Reggae, World, (any form of) Electronic Music plus any genre related to these six musical families. The frame of reference for this is \u2018Would this song be played on Kemet FM and\/or BBC 1Xtra?\u2019. This rule is not perfect, but it comes from a good place, aspiring to make sure FSN is open to all genres.<\/span><\/li>\n<\/ul>\n<p><b>RAW TALENT\u00a0<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">These rules try to ensure raw talent is recognised, and to ensure that FSN does not end up featuring purely artists who have already had the opportunity of playing either Splendour or the FSN Final.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">No more than two artists who have played Splendour (in previous years) can make it through to the Final. This means that should the Final Six have three artists that have played Splendour before, the third would be replaced by the next artist that has not played Splendour previously.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">No more than two artists who have already played the Rock City FSN Final can make it through to the 2024 online Final.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">And one new rule for 2024 &#8211; i<\/span><span style=\"font-weight: 400;\">f your act has played the Rock City Main Room for Dot to Dot before you can&#8217;t enter.\u00a0<\/span><\/li>\n<\/ul>\n<p><b>WHO CANNOT ENTER?\u00a0<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Group One \u2013 Those who have won \/ headlined any previous NUSIC \u2018musician helping event\u2019. For the avoidance of doubt this means K.JI, EM, ALT BLK ERA, BETSEY, REMY, THE DANDYLIONS, BROTHERHOOD, SUPER FURNITURE, SUSPECT ALIBI, JOY MUMFORD, THE GORGEOUS CHANS, THE AFTERDARK MOVEMENT, KAPPA GAMMA, KAGOULE, THE MONEY, LONG DEAD SIGNAL, DOG IS DEAD, FRONTIERS and THE TURF. Previous runners-up and Finalists CAN enter.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Group Two \u2013 Any Nottingham artist ALREADY announced on the Rock City or Rescue Rooms main stages at Dot to Dot 2024.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Group Three \u2013 Musicians who are unable to perform at least three original tracks live in the final. To clarify the minimum requirement for playing live is a live vocal, singing over a backing track, Ableton etc.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Group Four \u2013 Artists who only play covers, no covers are allowed to be entered or performed &#8211; we are all about encouraging original song writing.<\/span><\/li>\n<\/ul>\n<p><b>Grey Area\/s \u2013<\/b><span style=\"font-weight: 400;\"> What if you are a new artist that includes members who used to be in one of the artists listed in \u2018Group One\u2019? This is where it gets reeaaalllll complicated. It wouldn\u2019t be fair to have pretty much the same artist get to play that main stage again would it? But also it wouldn\u2019t be fair for a band of six to be excluded because one of them played triangle as a session musician back in 2016. So. If your new artist contains the same humans as before, you cannot enter. If your new artist has two or more members of an artist listed in \u2018Group One\u2019 it must be at least four years since your old act got through. If you are the only member of a \u2018Group One\u2019 artist, in your new artist, and there are at least three of you in total, you may enter now. Unless you are the lead singer \/ front person, in which case again it must be four years since your \u2018Group One\u2019 artist made it. Sorry singers, but you are the key distinguisher of any artist. Sometimes there are downsides to being the star, but hey, you get all the groupies.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The FSN nerds amongst you will notice that there is not a \u2018solo artists\u2019 rule this year. But that\u2019s cos there\u2019s no public vote, meaning no disadvantage to being a solo artist.<\/span>[\/vc_column_text][vc_column_text]<span style=\"font-size: 14pt;\"><b>2024 FSN Transparency Declarations (This will be updated weekly) =<\/b><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">No artists have yet entered this year, that are related, living with or in love with current members of the Nusic Team.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-size: 14pt;\"><b>CLARIFY YOUR DEFINITION\/S OF \u2018NOTTINGHAMNESS\u2019 PLEASE?<\/b><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Check FAQ11 in our #NusicFAQs: nusic.org.uk\/faq<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">By entering #FSN2024 you agree to accept all the above and emit nothing but positivity, love and unicorns<\/span><\/p>\n<p><span style=\"font-weight: 400;\">x<\/span><\/p>\n<p><strong>PS \u2013 If you made to the end \u2013 big up. <a href=\"https:\/\/www.a2048.com\/wp-content\/uploads\/2019\/07\/bc4a27df619fe52ade14f0d5a82d0f69.jpg\">Here\u2019s a puppy.<\/a> And<a href=\"https:\/\/img.freepik.com\/premium-photo\/funny-unicorn-3d-illustration_183364-79046.jpg?w=996\"> a unicorn<\/a>. x<\/strong>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][wvc_typed font_weight=&#8221;700&#8243; speed=&#8221;100&#8243; text=&#8221;YOUR FSN 2024 CHAMP IS&#8230;&#8221;][vc_single_image image=&#8221;22554&#8243; img_size=&#8221;full&#8221; full_width=&#8221;1&#8243; opacity=&#8221;100&#8243;][vc_column_text]Our six Industry Professionals listened to all seven Future Sound of Nottingham 2024 finalists. Scoring them each on the mentioned key factors below. And coming out top, as the Champ of FSN 2024 was&#8230; KAP! KAP will open the Rock City main stage at&#8230;<\/p>\n<p><a rel=\"bookmark\" class=\"theme-button-text wvc-button wvc-button-size-xs\" href=\"https:\/\/www.nusic.org.uk\/wordpress\/fsn-24\/\"><small class=\"wvc-button-background-fill\"><\/small><span>Continue reading<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":{"0":"post-22593","1":"page","2":"type-page","3":"status-publish","4":"hentry","5":"entry","6":"clearfix","7":"entry-grid","8":"entry-columns-default","9":"entry-page-module-layout-standard","10":"no-post-thumbnail","11":"entry-page","13":"entry-page-grid"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/pages\/22593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/comments?post=22593"}],"version-history":[{"count":2,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/pages\/22593\/revisions"}],"predecessor-version":[{"id":22595,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/pages\/22593\/revisions\/22595"}],"wp:attachment":[{"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/media?parent=22593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}