{"id":14168,"date":"2015-02-01T22:53:43","date_gmt":"2015-02-01T22:53:43","guid":{"rendered":"https:\/\/www.nusic.org.uk\/wordpress\/?p=14168"},"modified":"2019-09-05T18:35:16","modified_gmt":"2019-09-05T17:35:16","slug":"indiana-no-romeo-review","status":"publish","type":"post","link":"https:\/\/www.nusic.org.uk\/wordpress\/indiana-no-romeo-review\/","title":{"rendered":"INDIANA &#8211; No Romeo Review"},"content":{"rendered":"<p>One of the most common cliches you\u2019ll ever hear is \u201cit\u2019ll be worth the wait.\u201d As we all know, that is not entirely true. You could wait three hours for your food to arrive in a restaurant, and it could still look like a bomb went off in the kitchen and you\u2019re left with the remains.<\/p>\n<p>Anyways, that\u2019s probably not the best opening analogy I\u2019ve ever come up with, but basically what I\u2019m trying to say (albeit in a very long-winded way) is that this album has been a long-time coming, but bloody hell has it been worth the wait! This is one of the most accomplished pop albums of the past decade. It\u2019s an album that sounds familiar enough to be accessible to the everyday listener, and offers enough experimentalness (is that a word?) to keep even the biggest music enthusiast hooked in. <\/p>\n<p><em>Rise Up<\/em> kicks off proceedings, and you couldn\u2019t really ask for a better start to this musical journey. Spine-tingling layers of vocals overlap, subtle synths fade in the background until Indi\u2019s vocal rises above a soft piano melody. I\u2019d like to point out this is all within the first 40 seconds. As the song continues, we build toward the most epic soundscape with one heck of a catchy guitar riff. It sounds odd, but it makes me think of <strong>Queen<\/strong>. As in, if the band had just formed now, in 2015, this is the kind of stuff they\u2019d be doing. But, you know, fronted by a woman\u2026 at least I know what I mean.<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"%3A;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\"><\/iframe><\/p>\n<p><em>Solo Dancing<\/em> is up next, the electro-pop beauty that catapulted Indi into the top 20 last year, and is currently making the rounds on <strong>Radio 1\u2019s<\/strong> A-List. What is there that can be said about this that hasn\u2019t already been said? It\u2019s a pure slice of pop-gold. Sultry, catchy, and, it makes you wanna dance&#8230; even by yourself.<\/p>\n<p>It\u2019s not long before we\u2019re hit with what is, in my opinion, one of the greatest Pop songs of all time, <em>Blind As I Am<\/em>. We first heard this beauty back at the <strong><a href=\"\">Future Sound of Nottingham<\/a><\/strong> April 2012, and we\u2019ve heard it live many times since then, but, my god, it only gets better and better. A stunning electronic piano-led Pop ballad, <em>Blind As I Am<\/em> genuinely leaves us stunned every single time we hear it. Whilst filming our <strong><a href=\"\">Nusic Presents<\/a><\/strong>, we heard the song performed several times over the course of an hour, and it was like my heart had taken a beating and simultaneously my ears had been given a blessing. If you only have time to listen to one song from the album, make it this one. But, seriously, just find time to listen to the whole album. There\u2019s a touching story to it, and a beyond beautiful performance of it on Nusic Presents <strong><a href=\"\">INDIANA<\/a><\/strong>, which can be found <strong><a href=\"\">HERE<\/a><\/strong>.<\/p>\n<p><em>Jack<\/em> follows, and never has a song made me want to change my name more &#8211; maybe I\u2019m just an egomaniac. This song is dark, sultry, sexy and many other words that have probably been used to describe Fifty Shades Of Grey in the past. Oh yeah, and it\u2019s very, very catchy. Thinking about it, those words are probably used in Fifty Shades somewhere\u2026<\/p>\n<p>Keeping with the theme, <em>Bound <\/em>graces your ears pretty soon after <em>Jack<\/em>. If you\u2019re thinking you\u2019ve heard this track before, it\u2019s cos it\u2019s only gone and found itself onto a Durex advert. The brooding beats set the tone for Indi\u2019s perfect falsetto, and as she utters \u201cthis isn\u2019t love, it\u2019s dangerous\u201d, you\u2019re sucked into a dark world that, you probably should, but you don\u2019t want to leave.<\/p>\n<p>The track <em>No Romeo<\/em> is the most instantly catchy of the album tracks. And it\u2019s all thanks to a simple synth hit on the chorus. Sounding somewhat like a cool, modern <strong>Human League<\/strong>, this could easily be a BIG single. I can almost see it becoming an anthem of strong independent women, a la <strong>Destiny&#8217;s Child<\/strong> <em>Independent Woman<\/em> &#8211;  \u201cI don\u2019t need no romeo\u201d<\/p>\n<p>I first heard <em>Shadow Flash<\/em> a few months ago, thanks to Spotify, and it made it to the No.2 spot on my most played tracks of the year. Indi\u2019s vocal on this is PERFECT. With very subtle soundscapes to accompany it (including Mortal Kombat samples, dayumm nostalgia!), I haven\u2019t been this hooked on a pop track in a very long time. And that\u2019s coming from the pop guy at Nusic HQ!<\/p>\n<p><iframe loading=\"lazy\" width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"%3A;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false\"><\/iframe><\/p>\n<p>The album comes to a close with <em>Only The Lonely<\/em> and fan favourite <em>Mess Around<\/em>. Zane Lowe got it spot on with OTL when he called it \u201ca ballad you can dance to\u201d. Cos that\u2019s exactly what it does to ya, it makes you feel something inside, but also gets every part of your body moving at the same time.<\/p>\n<p><em>Mess Around<\/em> on the other hand has a lyric that sums up my emotions perfectly as we reach the end of the album\u2026<\/p>\n<p>\u201cThere\u2019s a fire you\u2019ve started, and I don\u2019t wanna put it out.\u201d<\/p>\n<p>I can safely say there aren\u2019t many albums that I\u2019ve reviewed where I\u2019ve pressed play again the second that they\u2019ve finished, but<em> No Romeo<\/em> is definitely one of those albums. Incredible from start to finish. Haunting in every way possible. <\/p>\n<p>She definitely don\u2019t need No Romeo if this is the kind of music she makes on her own.<\/p>\n<p>Buy the album <strong><a href=\"\">HERE<\/a><\/strong>. Now. For your own good. Or I\u2019ll make more awkward bondage jokes. <\/p>\n<p>Everything about Spreading The Love <strong><a href=\"\">HERE<\/a><\/strong>.<\/p>\n<p>Yours in Love of New Music,<br \/>\nSam Nahirny x<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the most common cliches you\u2019ll ever hear is \u201cit\u2019ll be worth the wait.\u201d As we all know, that is not entirely true. You could wait three hours for your food to arrive in a restaurant, and it could still look like a bomb went off in the kitchen and you\u2019re left with the&#8230;<\/p>\n<p><a rel=\"bookmark\" class=\"theme-button-text wvc-button wvc-button-size-xs\" href=\"https:\/\/www.nusic.org.uk\/wordpress\/indiana-no-romeo-review\/\"><small class=\"wvc-button-background-fill\"><\/small><span>Continue reading<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":14169,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4,15,210],"tags":[202,810,1034,812,322,796,129,255,1033,1031,191,492,1032,811,368],"class_list":{"0":"post-14168","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","6":"hentry","7":"category-blog","8":"category-reviews","9":"category-spreadthelove","10":"tag-album-review","11":"tag-blind-as-i-am","12":"tag-electro-pop","13":"tag-heart-on-fire","14":"tag-indiana","15":"tag-no-romeo","16":"tag-nottingham","17":"tag-nottingham-new-music","18":"tag-nusic-presents-2","19":"tag-only-the-lonely","20":"tag-pop","21":"tag-radio-1","22":"tag-sam-nahirny","23":"tag-solo-dancing","24":"tag-zane-lowe","25":"entry-post-skin-dark","26":"entry","27":"clearfix","28":"entry-grid","29":"entry-columns-default","30":"entry-post-module-layout-fullwidth","31":"thumbnail-color-tone-dark","32":"metro-landscape","33":"entry-post","35":"entry-post-grid"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/posts\/14168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/comments?post=14168"}],"version-history":[{"count":8,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/posts\/14168\/revisions"}],"predecessor-version":[{"id":20964,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/posts\/14168\/revisions\/20964"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/media\/14169"}],"wp:attachment":[{"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/media?parent=14168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/categories?post=14168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nusic.org.uk\/wordpress\/wp-json\/wp\/v2\/tags?post=14168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}